10/13/2023 0 Comments Hans haacke horse sketch![]() In Seurat’s Les Poseurs (Small Version) (1888-1975) he draws a resume of the various owners in time of a piece by the post-impressionist artist. With his works, Haacke brings forward questions on the nature of power in the art world, asking what and who gives value to art. The title of the exhibition, All Connected, refers to the kinetic sculptures and environmental sculptures, as well as to the dynamics behind major art institutions and their funding. This connection is reiterated throughout the exhibition, with many pieces exploring the economic structures in which art is produced, circulated and displayed. Exploring the interconnected networks of finance, political agency and power in the art world and outside it, the artist’s works shine a light on spaces and sites where power relations are exposed. Hans Haacke, All Connected (Installation View), via New Museumįeaturing visitor polls, environmental sculpture and kinetic works, and his unprecedented institutional critiques from the 1970s and ‘80s, and more recent pieces, the exhibition covers thirty years of pioneering works. The retrospective marks the first major American museum exhibition of Haacke’s career, focusing on the influence of the corporate world on contemporary art. The four artists who missed out were Marcus Coates, who had proposed a replica of a rocky outcrop that inspired Henry Moore Liliane Lijn's two moving silver cones Mark Leckey's mash-up of other sculptures in the square and Ugo Rondinone's apparently folk-art mask.Hans Haacke, All Connected (Installation View), via New MuseumĪrtist Hans Haacke’s works, ranging from kinetic art to environmental art, conceptual art and institutional critique, culminates in his critiques of social and political systems, orchestrated in masterful form this winter at the New Museum. Shrigley and Haacke join a roster of artists that include Mark Wallinger (Ecce Homo), Marc Quinn (Alison Lapper Pregnant) and Antony Gormley with his One & Other, where the plinth was occupied by a person at a time for an hour each. It's a beautiful piece, it's a poetic piece and it is especially timely in the economic circumstances we live in." The horse mirrors the other horses in the square, but is obviously different in that it is skeletal and riderless and has a stock market ticker tape around its leg.Įshun said: "It is a bit of a memento mori, a reference to our history and a reference to the fact that money is the hidden dynamic that fuels our city, for good and for bad. He said his proposed work called Gift Horse was an oblique tribute to two Britons: Adam Smith, who wrote the Wealth of Nations in 1766, and George Stubbs, who that year published his Anatomy of the Horse.Įkow Eshun, who chaired the commissioning group, said Haacke's piece was "a commentary on the relationship between art, capital and society". Haacke, a 77-year-old German artist based in New York, was not at London's city hall to hear the news, but said in a statement that he was "surprised and tickled" to be chosen. "What's exciting for me is the opportunity to make something on a scale you couldn't possibly imagine making yourself." Shrigley, born in Macclesfield and based in Glasgow, was shortlisted for the Turner prize last year and missed out to Laure Prouvost. "I mean it lightheartedly, satirically, sarcastically maybe – but I kind of believe it as well." "On the one hand it is kind of ridiculous to suggest that this giant sculpture will bring an upturn in the economy. But he also knows it is a work of comedy. He sincerely hopes the work, called Really Good, will radiate positivity, "dissuade social unrest, help the economy and decrease rates of absenteeism in state schools". ![]() Shrigley, whose work is known for making people smile and laugh, said he was "really chuffed" to have been chosen for what will be his first civic sculpture. Boris Johnson, London's mayor, said the 10-person commissioning group had "chosen two very different sculptures … with each being wryly enigmatic in their own way". ![]() The two artworks, both in bronze, will be the 10th and 11th on the plinth. It will replace this year's giant blue cockerel. In 2015, it will be a sculpture of a skeletal, riderless horse with an electronic stock market ticker tape tied to its leg by the German artist Hans Haacke. His giant thumbs up will be on top of the fourth plinth in 2016. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |